Monday, September 28, 2009

The Un-spoken truth behind Promoters of Mega Clubs


The Un-spoken truth behind Promoters of Mega Clubs


I write this cause I like for people to know the truth. I don’t lie, I don’t steal, and I don’t cheat. I do what is fair…

I work this way so that if I ever have a reason to lash out on anyone or anything, it’s for a legitimate cause or moral reason not for ignorance or stupidity. I rarely if not ever get to the point of lashing out.
Do you personally know a Promoter of a Mega Club? Have you ever thought that your
Promoter friend must be racking in the dough because the Club was packed to capacity?
This can and can not be true.

I’ve promoted venues on my own, so if I have a good night the door is strictly mine, and I make a profit. If I have a bad night, I lose money and I consume the lost. I'll I've done both.

Mega Club owners rarely if not ever give exclusive privileges to one particular Promoter to promote their venue. Instead, Club owner usually have several Promoters working on behalf of the club. Since promoters come a dime a dozen, Mega Clubs usually always welcome Promoters that can produce a RSVP list of people that will possibly attend.

What most people don’t know is that you don’t make a lot of money off of each person that come to the event. At max, a Promoter may make anywhere from $2 to $3 dollars per head count that shows up to the event off of a $15 to $20 dollar admission fee.

Most of the time, you don’t make any money off of people that show up from the RSVP list. You only make money when those people on your list shows up past the cut off period. The cut off period is when the Club starts charging admission to enter the club.

Mega Clubs usually let anyone enter their doors before a certain designated hour of the night anyway.

As a Promoter, it can be difficult to determine the accuracy of which the Club keeps record of your paying guest. Who’s to say that they are paying you what you deserve because most of the time the Club’s employee are the ones keeping those records.

What Promoters gain from promoting Mega Clubs are notoriety and respect. They also are able to expand their marketing database by soliciting people to attend the Mega Clubs events.

There are other options: If a Promoter is successful enough he could buy the club out for a particular night in which, that promoter would consume responsibility for all that happens that night. A promoter would usually have to have an Insurance Rider (well over a few million dollars of coverage) as well to cover any damages that occur on their particular night. He could possible make a substantial amount of money or he could lose big. The loses usually tend to be too great, so if a Promoter does this it’s usually only on special occasions in various locations.


The things that I write don’t always have to be set in stone. It usually depends on how the Promoter negotiates with the Club owner and the stipulations that are agreed upon by each professional prior to business that are conducted.

A few Mega Clubs in the Atlanta area are as follows:

Club Primal, The Opera, Sutra, Down-town Poole Palace, Pure, Club Esso, and The Davincis Cafe.


Writer/Executive Producer/Promoter/Entertainment Entrepreneur,

Pree Dammond

Thursday, September 24, 2009

Dinner Nights with Pree OCT 4th 2009



Location to be announced. View updates on twitter widget as well.

Dinner Nights with Pree is a Videotaped topic discussion over dinner with Pree’s personal associates and friends. Dinner Nights with Pree will platform on the web and other media outlets with the anticipation of being endorse by a major TV network.

The purpose of this show is to really get a broad perspective and view points regarding an array of Trendy Topics that will intrigue a younger but mature crowd.

This is a positive show which unravels the negative stereotypes that are placed on many minorities. This show also answers sheds light to unanswered question that the young but mature crowd has today (Our AGE group).


The Daily Preezie Baby!

Monday, September 21, 2009

Atlanta now Atlantis under water



Right now it is a crazy time to be sharing information. However, at the moment I am fortunate to be able to. At this time, there are families without their homes and family due to the flooding in the Atlanta GA area. I want to take this time to advise my readers to pray for those affected by the floods.

The Daily Preezie Baby!

Tuesday, September 15, 2009

Most common mistake when mixing a sound track




Today, I was talking with the Mastering Engineer who will be handling my future Music products. He stress the importance of a good mix down before mastering a track. Mastering a soundtrack will bring a track up to Industry standard so that it can be competitive with what's heard on Radio, Clubs, and Online Distribution sites. If you are interested in music as a career it's important to have as much knowledge as possible before diving into the Industry. You have to know what is expected on your part as the recording engineer/Artist so that you get the most for you money. Trial and Error is very costly in this business, however, unavoidable at times.

The most common mistake made when mixing down a track is mixing down a session with the Master fader being set to something other than Zero.

Key points when Mixing down your track as follows:

  • Keep the Master Fader level at zero (If you turn this down, to hide distortion it will only be discovered later when the Mastering engineer raises the volumes).
  • When recording on a Beat leased or purchase from a Producer, it is a good idea to lower the volume of that track between 10dB to 15dB prior to recording your Vocals. (This will give the Mastering Engineer head room when tuning up certain frequencies and sounds).
  • If all your levels are set correctly when mixing down a sound track, you may need a Headphone distribution amp to increase the volume in the headphone. This will allow your Artist to Hear and record properly without peaking his Vocals.
  • If Compressors or Limiters were used on the Master Fader, make sure to remove them before you bounce down the track. This will keep your Mastered product from being distorted.
  • Always consult with a Mastering Engineer on the Quality of your mix down prior to starting the Mastering process. At the end of the day, the finished product represents you and all parties associated with that particular track.

The Daily Preezie Baby!

Monday, September 14, 2009

Meeting with Cliff owner of State Farm



This morning, I had a meeting with a Cobb County branch owner of State Farm Insurance company. I asked Cliff (owner) what approach is he taking to insure the success of his business during these economic conditions. He told me that he's not as active in seeking new customers but is focusing more on retaining the customer base he already has. I agree that, retaining your customer based with better products and services is vital during these economic times.
It makes me wonder what other companies are doing and if this approach is being utilize across the board in other areas of business. For example: Promotions & Music.

The Daily Preezie Baby

Wednesday, September 9, 2009

How you get Paid off of Mechanical Royalties



Most Artist go into the Music Business blinded by the lights and thirst for fame, some for the love of the game. A lot of time Musicians/Artist don't know what it takes to make their talent profitable as a business should be. I posted this video, to aid those who are interested in the Music Business and to also educate those who clearly have no idea how the numbers fall. Knowledge is power, it enables you not to make a fool of yourself when negotiating or standing your ground.

Know the business

The Daily Preezie Baby!

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